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	<title>iCine.com.au</title>
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	<description>a certain idea of  cinema</description>
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		<title>Review &#8211; Luca Guadagnino&#8217;s &#8220;Io sono l&#8217;amore&#8221; (&#8220;I Am Love&#8221;)</title>
		<link>http://www.icine.com.au/2010/09/05/review-i-am-love/</link>
		<comments>http://www.icine.com.au/2010/09/05/review-i-am-love/#comments</comments>
		<pubDate>Sun, 05 Sep 2010 01:42:12 +0000</pubDate>
		<dc:creator>Federico Passi</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1252</guid>
		<description><![CDATA[***½~ (3.5/5) Luca Guadagnino&#8217;s  &#8220;Io sono l&#8217;amore&#8221; (&#8220;I Am Love&#8221;) (2009), up to now, is the only Italian feature released in Australian film theatres this year. UK actresses Tilda Swinton is the main star and producer of the film, which has proven to be a drawing card. The film&#8217;s captivating imagery, however, proves better than [...]]]></description>
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		<title>Review &#8211; Roman Polanski&#8217;s &#8220;The Ghost Writer&#8221;</title>
		<link>http://www.icine.com.au/2010/08/15/roman-polanskis-the-ghost-writer/</link>
		<comments>http://www.icine.com.au/2010/08/15/roman-polanskis-the-ghost-writer/#comments</comments>
		<pubDate>Sun, 15 Aug 2010 04:57:44 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1178</guid>
		<description><![CDATA[Adapted from Robert Harris&#8217; novel &#8216;The Ghost&#8217;, Roman Polanski&#8217;s brooding mystery/drama/thriller &#8216;The Ghost Writer&#8217; (2010) succeeds for a number of reasons. The Ghost (brilliantly played by Ewan McGregor) is assigned to write the memoirs of ex-British Prime Minister Adam Lang (Pierce Brosnan), who finds himself the subject of war crime allegations as soon as the [...]]]></description>
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		<title>Review &#8211; Sylvester Stallone&#8217;s &#8220;The Expendables&#8221;</title>
		<link>http://www.icine.com.au/2010/08/13/review-sylvester-stallones-the-expendables/</link>
		<comments>http://www.icine.com.au/2010/08/13/review-sylvester-stallones-the-expendables/#comments</comments>
		<pubDate>Thu, 12 Aug 2010 23:15:59 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1176</guid>
		<description><![CDATA[One word comes to mind when I think of Sylvester Stallone&#8217;s most recent feature &#8216;The Expendables&#8217; (2010): hysterical. The narrative focuses on a group of hyper-masculine mercenaries that work together to take down General Garza, the dictator of an impoverished, small South American island. Stallone&#8217;s penchant for ultra-violence and cartoon-like heroism is more obvious than [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review &#8211; Christopher Nolan&#8217;s &#8220;Inception&#8221;</title>
		<link>http://www.icine.com.au/2010/07/26/review-christopher-nolans-inception/</link>
		<comments>http://www.icine.com.au/2010/07/26/review-christopher-nolans-inception/#comments</comments>
		<pubDate>Mon, 26 Jul 2010 06:21:25 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1144</guid>
		<description><![CDATA[Christopher Nolan&#8217;s most recent flick &#8216;Inception&#8217; (2010) is a problematic one. The narrative&#8217;s brooding, dystopian mise en scene reminds audiences of Nolan&#8217;s visual trademark: chaotic darkness. The film is celebratory in the way that it reminds us of his fascination with &#8211; and frequent interest in &#8211; neo-noir aesthetics and traumatised characterisation. The film, however, is [...]]]></description>
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		<title>Women and the Silent Screen VI</title>
		<link>http://www.icine.com.au/2010/07/02/women-and-the-silent-screen-vi/</link>
		<comments>http://www.icine.com.au/2010/07/02/women-and-the-silent-screen-vi/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 05:39:18 +0000</pubDate>
		<dc:creator>Federico Passi</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1135</guid>
		<description><![CDATA[The sixth conference on &#8220;Women and the Silent Screen&#8221; was hosted in Bologna from June 24 to June 26 2010. Paper abstracts are available from the conference&#8217;s main website The conference has been held previously in: 2008 &#124; Stockholm 2006 &#124; Guadalajara 2004 &#124; Montreal 2001 &#124; Santa Cruz 1999 &#124; Utrecht Bologna 2010 Program [...]]]></description>
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		<title>Astor Theatre Film Festival Review – Preview of Luc Besson’s “The Professional”</title>
		<link>http://www.icine.com.au/2010/06/21/astor-theatre-film-festival-review-%e2%80%93-preview-of-luc-besson%e2%80%99s-%e2%80%9cthe-professional%e2%80%9d/</link>
		<comments>http://www.icine.com.au/2010/06/21/astor-theatre-film-festival-review-%e2%80%93-preview-of-luc-besson%e2%80%99s-%e2%80%9cthe-professional%e2%80%9d/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 14:36:09 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Festival]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[This Week]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1108</guid>
		<description><![CDATA[*WARNING: contains spoilers* Tonight, Astor Theatre is retelling the story of a wandering assassin. Leon (brilliantly played by Jean Reno) befriends Mathilda (melancholically portrayed by Natalie Portman), a neglected girl whose parents have been killed by Stansfield (Gary Oldman): a crazed, corrupt law enforcer from whom they have stolen drugs. After her parents are killed, [...]]]></description>
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		<title>Astor Theatre Film Festival Review &#8211; Preview of Martin Scorsese&#8217;s &#8220;GoodFellas&#8221;</title>
		<link>http://www.icine.com.au/2010/06/03/astor-theatre-films-festival-review-martin-scorseses-goodfellas/</link>
		<comments>http://www.icine.com.au/2010/06/03/astor-theatre-films-festival-review-martin-scorseses-goodfellas/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 05:47:39 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Festival]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Festivals]]></category>

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		<description><![CDATA[This coming Monday night, on the 7th of June, Astor Theatre is celebrating Martin Scorsese’s brilliant mafia-drama ‘GoodFellas’ (1990). Still, after 20 years, the film stands strong as a beautiful study of Italian-American criminal dynasties and how they rise and fall over time. The film, however, is also an ode to its filmic forefathers, such [...]]]></description>
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		<title>Astor Theatre Film Festival Review – Preview of John Huston&#8217;s &#8220;The Misfits&#8221; and John Schlesinger&#8217;s &#8220;Midnight Cowboy&#8221;</title>
		<link>http://www.icine.com.au/2010/05/21/astor-theatre-film-festival-review-%e2%80%93-preview-of-john-hustons-the-misfits-and-john-schlesingers-midnight-cowboy/</link>
		<comments>http://www.icine.com.au/2010/05/21/astor-theatre-film-festival-review-%e2%80%93-preview-of-john-hustons-the-misfits-and-john-schlesingers-midnight-cowboy/#comments</comments>
		<pubDate>Fri, 21 May 2010 07:04:36 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Festival]]></category>
		<category><![CDATA[Reviews]]></category>

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		<description><![CDATA[This coming Monday, the 24th of May, Astor Theatre is engaging with lonely subject matter. John Huston’s &#8220;The Misfits&#8221; (1961) and John Schlesinger’s &#8220;Midnight Cowboy&#8221; (1969) both use the loneliness of the Western film genre and its cowboy archetype to discuss sexuality, landscape, alienation and the art of drifting aimlessly. Their experimentation with genre still [...]]]></description>
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		<title>Review &#8211; Fatih Akin&#8217;s &#8220;Soul Kitchen&#8221;</title>
		<link>http://www.icine.com.au/2010/05/15/soul-kitchen/</link>
		<comments>http://www.icine.com.au/2010/05/15/soul-kitchen/#comments</comments>
		<pubDate>Sat, 15 May 2010 00:12:38 +0000</pubDate>
		<dc:creator>Federico Passi</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[new releases]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1029</guid>
		<description><![CDATA[**~~~ (2/5) From the director of &#8220;Head On&#8221; and &#8220;The Edge of Heaven&#8221; I was expecting something less obvious than &#8220;Soul Kitchen&#8221;. The film is a gallery of ethnic stereotypes with a German twist. German-Greek mate Zinos, coming from the lower part of town and with a brother freshly paroling out of prison, has a [...]]]></description>
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		<title>Human Right Arts &amp; Film Festival, April &#8211; May 2010 &#8211; Melbourne, Canberra, Adelaide, Sydney, Perth, Brisbane</title>
		<link>http://www.icine.com.au/2010/04/20/human-right-arts-film-festival-april-may-2010-melbourne-canberra-adelaide-sydney-perth-brisbane/</link>
		<comments>http://www.icine.com.au/2010/04/20/human-right-arts-film-festival-april-may-2010-melbourne-canberra-adelaide-sydney-perth-brisbane/#comments</comments>
		<pubDate>Tue, 20 Apr 2010 00:00:05 +0000</pubDate>
		<dc:creator>Federico Passi</dc:creator>
				<category><![CDATA[Festival]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Human Rights arts & film festival]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1021</guid>
		<description><![CDATA[The Human Rights Arts &#38; Film Festival is adopting a wider media experience concerning human and social rights. It combines documentary, films, video, art exhibitions, music, poetry, forums and Q &#38; A with authors and filmmakers. The intention is to show something different to what is usually served up in the average diet of local [...]]]></description>
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