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Hawks and Veidt for Cinema Ritrovato 25th Year
29 May 2011 2:12 PM | No Comments -
Lonely Hearts | 1982
21 February 2011 9:59 PM | No Comments -
Lubitsch @ Melbourne Cinematheque
22 October 2010 7:06 AM | No Comments -
Review – Luca Guadagnino’s “Io sono l’amore” (“I Am Love”)
05 September 2010 11:42 AM | No Comments -
Review – Roman Polanski’s “The Ghost Writer”
15 August 2010 2:57 PM | No Comments -
Review – Sylvester Stallone’s “The Expendables”
13 August 2010 9:15 AM | No Comments -
Review – Christopher Nolan’s “Inception”
26 July 2010 4:21 PM | No Comments -
Women and the Silent Screen VI
02 July 2010 3:39 PM | No Comments
- Review - Sylvester Stallone's "The Expendables"
- Review - Tim Burton's "Alice in Wonderland"
- Astor Theatre Film Festival Review - Preview of Martin Scorsese's "GoodFellas"
- Women and the Silent Screen VI
- Focus on Claudia Cardinale at ACMI
- Review - Christopher Nolan's "Inception"
- Astor Theatre Film Festival Review – Preview of John Huston's "The Misfits" and John Schlesinger's "Midnight Cowboy"
- DVD: 40th Anniversary Review - Bernardo Bertolucci's "Il Conformista"
- The Cinema of ‘God’s lonely man’: Understanding the Martin Scorsese-Robert De Niro partnership
- Review - Roman Polanski's "The Ghost Writer"
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Review – Fatih Akin’s “Soul Kitchen”
15 May 2010 10:12 AM | No Comments -
Review – Tim Burton’s “Alice in Wonderland”
09 March 2010 11:47 AM | 1 Comment -
Review: “Crazy Heart”
09 March 2010 10:09 AM | No Comments -
Review – Martin Scorsese’s “Shutter Island”
22 February 2010 10:28 AM | No Comments -
Avatar: Ecodigital Wars
09 January 2010 5:16 PM | No Comments -
Review – Ruben Fleischer’s “Zombieland”
12 December 2009 10:42 AM | No Comments -
Review – Joel and Ethan Coen’s “A Serious Man”
04 December 2009 2:52 PM | No Comments -
Review – Quentin Tarantino’s “Inglourious Basterds”
22 August 2009 3:22 AM | No Comments
2009 ACMI Australian Cinema Avatar Bernardo Bertolucci Best films BFI Brad Pitt Cahiers du Cinema Capitalism a Love Story Censorship Cineteca Bologna Claudia Cardinale Dante Spinotti Digital District 9 Inglorious Basterds Italian Cinema James Cameron Jeff Bridges John Hillcoat Johnny Depp Leonardo di Caprio Locarno Martin Scorsese Michael Mann Michael Moore Michel Mann MIFF Paul Cox Peter Jackson Public Enemies Pulp Fiction Quentin Tarantino Reviews Samson and Delilah September Issue Shutter Island The Road Trailers Tron Legacy Usa Venezia Film Festival 2009 Venice Film Festival Viggo Mortensen -
News
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Lubitsch @ Melbourne Cinematheque
22 October 2010 7:06 AM | No Comments -
Women and the Silent Screen VI
02 July 2010 3:39 PM | No Comments -
Human Right Arts & Film Festival, April – May 2010 – Melbourne, Canberra, Adelaide, Sydney, Perth, Brisbane
20 April 2010 10:00 AM | No Comments -
Cannes 2010 line-up
16 April 2010 10:59 AM | No Comments -
Figuring Landscapes: Moving Images from Australia and UK
01 April 2010 10:27 AM | No Comments -
Focus on Claudia Cardinale at ACMI
01 February 2010 3:47 PM | No Comments -
Silent cinema in Pordenone and Sydney
05 October 2009 1:23 AM | No Comments -
Venice Film Festival opens with Tornatore’s “Baaria”
03 September 2009 12:45 PM | No Comments -
The Paul Cox Conference
05 August 2009 1:49 PM | No Comments
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Hawks and Veidt for Cinema Ritrovato 25th Year
Bologna’s Cinema Ritrovato, the world major appointment for restored cinema, is coming back with its 25th edition and a rich program from the 25th of June 2011 to July 2nd. This year a 5th screen (Cinema Marconi) will be added to the 4 already running the program. Just to make the more difficult choosing [...] -
Lonely Hearts | 1982
Shot in Melbourne mainly in interiors the film is a city story with little urban flavor. It is a study of two people that has lived inside themselves most of their lives. Patricia (Wendy Hughes) under the shadowing figures of her parents and Peter (Norman Keye) looking after his mother. The enclosed spaces are a [...] -
Review – Luca Guadagnino’s “Io sono l’amore” (“I Am Love”)
(3.5/5) Luca Guadagnino’s “Io sono l’amore” (“I Am Love”) (2009), up to now, is the only Italian feature released in Australian film theatres this year. UK actresses Tilda Swinton is the main star and producer of the film, which has proven to be a drawing card. The film’s captivating imagery, however, proves better than its [...] -
Review – Roman Polanski’s “The Ghost Writer”
Adapted from Robert Harris’ novel ‘The Ghost’, Roman Polanski’s brooding mystery/drama/thriller ‘The Ghost Writer’ (2010) succeeds for a number of reasons. -
Review – Sylvester Stallone’s “The Expendables”
One word comes to mind when I think of Sylvester Stallone’s most recent feature ‘The Expendables’ (2010): hysterical. The narrative focuses on a group of hyper-masculine mercenaries that work together to take down General Garza, the dictator of an impoverished, small South American island. -
Review – Christopher Nolan’s “Inception”
Christopher Nolan’s most recent flick ‘Inception’ (2010) is a problematic one. The narrative’s brooding, dystopian mise en scene reminds audiences of Nolan’s visual trademark: chaotic darkness. The film is celebratory in the way that it reminds us of his fascination with – and frequent interest in – neo-noir aesthetics and traumatised characterisation. The film, however, is [...] -
Astor Theatre Film Festival Review – Preview of Luc Besson’s “The Professional”
*WARNING: contains spoilers* Tonight, Astor Theatre is retelling the story of a wandering assassin. Leon (brilliantly played by Jean Reno) befriends Mathilda (melancholically portrayed by Natalie Portman), a neglected girl whose parents have been killed by Stansfield (Gary Oldman): a crazed, corrupt law enforcer from whom they have stolen drugs. After her parents are killed, [...] -
Astor Theatre Film Festival Review – Preview of Martin Scorsese’s “GoodFellas”
This coming Monday night, on the 7th of June, Astor Theatre is celebrating Martin Scorsese’s brilliant mafia-drama ‘GoodFellas’ (1990). Still, after 20 years, the film stands strong as a beautiful study of Italian-American criminal dynasties and how they rise and fall over time. -
Astor Theatre Film Festival Review – Preview of John Huston’s “The Misfits” and John Schlesinger’s “Midnight Cowboy”
This coming Monday, the 24th of May, Astor Theatre is engaging with lonely subject matter. John Huston’s “The Misfits” (1961) and John Schlesinger’s “Midnight Cowboy” (1969) both use the loneliness of the Western film genre and its cowboy archetype to discuss sexuality, landscape, alienation and the art of drifting aimlessly. Their experimentation with genre still [...] -
Review – Fatih Akin’s “Soul Kitchen”
(2/5) From the director of “Head On” and “The Edge of Heaven” I was expecting something less obvious than “Soul Kitchen”. The film is a gallery of ethnic stereotypes with a German twist. German-Greek mate Zinos, coming from the lower part of town and with a brother freshly paroling out of prison, has a bottom [...]








