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Hawks and Veidt for Cinema Ritrovato 25th Year
29 May 2011 2:12 PM | No Comments -
Lonely Hearts | 1982
21 February 2011 9:59 PM | No Comments -
Lubitsch @ Melbourne Cinematheque
22 October 2010 7:06 AM | No Comments -
Review – Luca Guadagnino’s “Io sono l’amore” (“I Am Love”)
05 September 2010 11:42 AM | No Comments -
Review – Roman Polanski’s “The Ghost Writer”
15 August 2010 2:57 PM | No Comments -
Review – Sylvester Stallone’s “The Expendables”
13 August 2010 9:15 AM | No Comments -
Review – Christopher Nolan’s “Inception”
26 July 2010 4:21 PM | No Comments -
Women and the Silent Screen VI
02 July 2010 3:39 PM | No Comments
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Review – Fatih Akin’s “Soul Kitchen”
15 May 2010 10:12 AM | No Comments -
Review – Tim Burton’s “Alice in Wonderland”
09 March 2010 11:47 AM | 1 Comment -
Review: “Crazy Heart”
09 March 2010 10:09 AM | No Comments -
Review – Martin Scorsese’s “Shutter Island”
22 February 2010 10:28 AM | No Comments -
Avatar: Ecodigital Wars
09 January 2010 5:16 PM | No Comments -
Review – Ruben Fleischer’s “Zombieland”
12 December 2009 10:42 AM | No Comments -
Review – Joel and Ethan Coen’s “A Serious Man”
04 December 2009 2:52 PM | No Comments -
Review – Quentin Tarantino’s “Inglourious Basterds”
22 August 2009 3:22 AM | No Comments
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News
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Lubitsch @ Melbourne Cinematheque
22 October 2010 7:06 AM | No Comments -
Women and the Silent Screen VI
02 July 2010 3:39 PM | No Comments -
Human Right Arts & Film Festival, April – May 2010 – Melbourne, Canberra, Adelaide, Sydney, Perth, Brisbane
20 April 2010 10:00 AM | No Comments -
Cannes 2010 line-up
16 April 2010 10:59 AM | No Comments -
Figuring Landscapes: Moving Images from Australia and UK
01 April 2010 10:27 AM | No Comments -
Focus on Claudia Cardinale at ACMI
01 February 2010 3:47 PM | No Comments -
Silent cinema in Pordenone and Sydney
05 October 2009 1:23 AM | No Comments -
Venice Film Festival opens with Tornatore’s “Baaria”
03 September 2009 12:45 PM | No Comments -
The Paul Cox Conference
05 August 2009 1:49 PM | No Comments
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icine.it
Notes Archive
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Mann, Spinotti and Digital Aesthetics
The more I watched Michael Mann’s latest film “Public Enemies”, the more I was witnessing a progressive increase in the digital aesthetic of the film’s cinematography. At the beginning of the movie, the digital quality of the image is softened with warmer lights and specific camera angles to make the image look good, as well [...]