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	<title>iCine.com.au &#187; History</title>
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	<description>a certain idea of  cinema</description>
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		<title>Women and the Silent Screen VI</title>
		<link>http://www.icine.com.au/2010/07/02/women-and-the-silent-screen-vi/</link>
		<comments>http://www.icine.com.au/2010/07/02/women-and-the-silent-screen-vi/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 05:39:18 +0000</pubDate>
		<dc:creator>Federico Passi</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=1135</guid>
		<description><![CDATA[The sixth conference on &#8220;Women and the Silent Screen&#8221; was hosted in Bologna from June 24 to June 26 2010. Paper abstracts are available from the conference&#8217;s main website The conference has been held previously in: 2008 &#124; Stockholm 2006 &#124; Guadalajara 2004 &#124; Montreal 2001 &#124; Santa Cruz 1999 &#124; Utrecht Bologna 2010 Program [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Views from the Left: Politics in Contemporary Italian Cinema</title>
		<link>http://www.icine.com.au/2010/04/04/views-from-the-left-politics-in-contemporary-italian-cinema/</link>
		<comments>http://www.icine.com.au/2010/04/04/views-from-the-left-politics-in-contemporary-italian-cinema/#comments</comments>
		<pubDate>Sat, 03 Apr 2010 23:42:54 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Bernardo Bertolucci]]></category>
		<category><![CDATA[Luchino Visconti]]></category>
		<category><![CDATA[Nanni Moretti]]></category>
		<category><![CDATA[Pier Paolo Pasolini]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/2010/04/04/views-from-the-left-politics-in-contemporary-italian-cinema/</guid>
		<description><![CDATA[After World War II, a durable relationship developed and continued between far-left politics and Italian film making. If we rewind our minds back to prominent film figures such as Pier Paolo Pasolini, Luchino Visconti and Bernardo Bertolucci, or even fast forward to active film makers today such as Nanni Moretti, a trend emerges. Pasolini, Visconti [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Cinema of ‘God’s lonely man’: Understanding the Martin Scorsese-Robert De Niro partnership</title>
		<link>http://www.icine.com.au/2010/03/24/the-cinema-of-%e2%80%98god%e2%80%99s-lonely-man%e2%80%99-understanding-the-martin-scorsese-robert-de-niro-partnership/</link>
		<comments>http://www.icine.com.au/2010/03/24/the-cinema-of-%e2%80%98god%e2%80%99s-lonely-man%e2%80%99-understanding-the-martin-scorsese-robert-de-niro-partnership/#comments</comments>
		<pubDate>Wed, 24 Mar 2010 12:23:06 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Rewind]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Robert De Niro]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/2010/03/24/the-cinema-of-%e2%80%98god%e2%80%99s-lonely-man%e2%80%99-understanding-the-martin-scorsese-robert-de-niro-partnership/</guid>
		<description><![CDATA[I had the pleasure of seeing and reviewing ‘Shutter Island’ (2010) a few weeks ago at a local cinema. Whilst I was amazed at the film’s crisp cinematography and Martin Scorsese’s attempt at the psychological thriller, I was even more taken by Leonardo Di Caprio’s intense portrayal of Teddy Daniels. His performance was a throttling [...]]]></description>
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		<title>DVD: 40th Anniversary Review &#8211; Bernardo Bertolucci&#8217;s &#8220;Il Conformista&#8221;</title>
		<link>http://www.icine.com.au/2010/03/22/40th-anniversary-review-bernardo-bertoluccis-il-conformista/</link>
		<comments>http://www.icine.com.au/2010/03/22/40th-anniversary-review-bernardo-bertoluccis-il-conformista/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 05:22:02 +0000</pubDate>
		<dc:creator>Chris Traficante</dc:creator>
				<category><![CDATA[Best Films]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Rewind]]></category>
		<category><![CDATA[1970s]]></category>
		<category><![CDATA[Bernardo Bertolucci]]></category>
		<category><![CDATA[Fascism]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Vittorio Storaro]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/2010/03/22/40th-anniversary-review-bernardo-bertoluccis-il-conformista/</guid>
		<description><![CDATA[As an avid film fan, I am always thinking about films that capture me, motion pictures that have remained etched in my mind. Bernardo Bertolucci&#8217;s 1970 political-drama ‘Il Conformista’ (1970) captures, in rich cinematography, the alienation of Marcello Clerici (Jean-Louis Trintignant): a man who subscribes to Italy&#8217;s Fascist politics and culture by agreeing to kill [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Silent cinema in Pordenone and Sydney</title>
		<link>http://www.icine.com.au/2009/10/05/silent-movies-in-pordenone-and-sydney/</link>
		<comments>http://www.icine.com.au/2009/10/05/silent-movies-in-pordenone-and-sydney/#comments</comments>
		<pubDate>Sun, 04 Oct 2009 15:23:10 +0000</pubDate>
		<dc:creator>Federico Passi</dc:creator>
				<category><![CDATA[Festival]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=394</guid>
		<description><![CDATA[In Pordenone, Italy, David Robinson has opened the 29th edition of &#8220;Le giornate del cinema muto&#8220;, probably the oldest and most important silent film festival in the world. It is screening silent film from the 3rd to the 10th of October. This year, the festival is laden with classic old footage. Imagery dating back 100 [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Cahiers du Cinèma &#8211; 100 Films for a Collection</title>
		<link>http://www.icine.com.au/2009/07/27/cahiers-du-cinema-100-best-list-for-a-collection/</link>
		<comments>http://www.icine.com.au/2009/07/27/cahiers-du-cinema-100-best-list-for-a-collection/#comments</comments>
		<pubDate>Sun, 26 Jul 2009 23:48:37 +0000</pubDate>
		<dc:creator>Federico Passi</dc:creator>
				<category><![CDATA[Best Films]]></category>
		<category><![CDATA[Best films]]></category>
		<category><![CDATA[Cahiers du Cinema]]></category>

		<guid isPermaLink="false">http://www.icine.com.au/?p=13</guid>
		<description><![CDATA[This is the beginning of a section on best films lists. Just a way to look for more films to watch. We start with the list published by French Magazine Cahiers du Cinéma in 2008. The list is the result of a survey amongst cinemalovers to suggest the core films for a personal collection. The 100 film have been screened in Paris from December 2008 to July 2009. Here is the full program with links to the trailers of each film]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Online Database on Italian Censorship</title>
		<link>http://www.icine.com.au/2009/07/20/hello-world/</link>
		<comments>http://www.icine.com.au/2009/07/20/hello-world/#comments</comments>
		<pubDate>Sun, 19 Jul 2009 20:55:27 +0000</pubDate>
		<dc:creator>Federico Passi</dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Censorship]]></category>
		<category><![CDATA[Cineteca Bologna]]></category>
		<category><![CDATA[Italian Cinema]]></category>

		<guid isPermaLink="false">http://icine.com.au/wp/?p=1</guid>
		<description><![CDATA[It is online &#8220;Italia Taglia&#8221; (Italy cuts), a database collecting the censorship intervention on every film, italian and foreign, distributed in Italy between 1913 and 1998. The website has been created by The Cineteca di Bologna in collaboration with &#8216;A.N.I.C.A. (Associazione Nazionale Industrie Cinematografiche Audiovisive e multimediali). In Italy by law every film distributed has [...]]]></description>
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		<slash:comments>0</slash:comments>
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